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Archive for the ‘DAC Project’ Category

Day 157. Toscanini.

Tuesday, November 9th, 2010

I think I am finally going to have to accept the fact that daily blog posts are a thing of the past for me. On one hand, work is keeping me so busy (and often into the night). On another, I have gotten little of my own composing done over the past few weeks. Part of me is bummed about this, but there is another aspect at play as well. As more and more of the CDs disappear from the front layer of shelves, more and more from the back are being pulled down for ripping. The quality of the discs here is still better then average for the most part, but there are lots of discs back here that, while I have listened and enjoyed them, they don’t necessarily bring up strong memories or personal history. I glanced over the blog as a whole a bit this past week and I have come across some strong memories that seem to be with me almost every day, and I also noticed that I have ‘found’ memories that I thought were lost (and now returned because of this project). I’m sure those aren’t done, but I am also sure at this point that they will be occurring with less frequency.

For me, starting this project almost a year ago was a needed distraction for what was a difficult time for Tamiko and me. Not between us, but due to situations in our lives that were, at the time, beyond our control in many ways. The blog provided some welcome distraction, and the enormity of the project itself gave me a positive outlet for some not always so positive energy. It also gave me focus on my life, family and one of the things that make me happiest in the world (music) at a time when lots of negative energy was flowing our way. I think this outlet for me helped me protect my girls from some of the negative that was hitting us and affecting me greatly at times.

Plus, there is just more music in the house now. Not that there wasn’t before, but the variety has grown considerably. Tamiko and I now have something different on every night as we wind down like we did when we first moved in together, Mira is discovering new ‘pretty music’ all the time and Celia and I start our evening reading with a new composer or musician just about every night. It’s pretty amazing how I have found something so great as a result of such a difficult situation (but, that is just how it goes sometimes).

Anyways, on to some music, and tonight I have been working on a stack of 11 2-Disc sets… the Toscanini / NBC Symphony Orchestra remastered and cleaned up sets the RCA put out in the late 90s. 6 discs of Beethoven, the pairs of discs covering quite a bit of the symphonic repertoire. All in mono. And while these are old recordings, it is remarkable how dynamic they are. I love watching videos of Toscanini conducting, and an image of him ‘shhhshing’ his orchestra almost always comes to mind (my friend Colin was able to do a wonderful imitation of this). It strikes me that Toscanini new that there was really a maximum of loud that you could get out of an orchestra, but with enough coaxing you could always get people to play a little quieter. This makes the louder parts seem more so by contrast, and this led to a large number of very dynamic recordings at a time when the technology in use was still quite limited.

Toscanini’s interpretations are seen by many people, especially today, as a bit off. I tend to find them a bit operatic, and sometimes overly dramatic. I don’t really have a problem with this, and like Glenn Gould I think that what you are getting is Toscanini performing a piece rather then just the piece itself. I wouldn’t suggest any of his recordings as the way to get to know a work (same with Gould – do NOT listen to the Gould ‘Goldberg Variations’ as the first version you listen to). Both are performers that you should go to once you know a piece pretty well. THEN – they are excellent examples of what great musicians can do with the art of interpretation. As I listen right now to Beethoven’s Seventh, I feel like I have a good idea about what is Toscanini and what is Beethoven. And the two are having a great conversation. It is my like I am having a seance as I listen to the ghosts of these two musicians play with each other… truly a treat.

Day 144. Brahms.

Saturday, September 4th, 2010

Tonight Celia grabbed a box set that was hiding in the back of the shelves of the complete Brahms chamber music. The box is an 11 CD set put out by Philips, and has some very nice recordings on it. Performances are by the Beaux Arts Trio, Janos Starker, Quartetto Italiano and Arthur Grumiaux. Mostly analog recordings from the 60’s and 70’s, which I am perfectly fine with (I still think this period represents a prime time for classical recordings, both technically and performer wise).

Funny thing is, I think I forgot I had this set. I probably moved it to the back because I do have other recordings of the Piano Quintet, Cello Sonatas and Violin Sonatas that I like quite a bit. And in general, though I am familiar with Brahms’ chamber music, it never quite grabbed me in the same way that Beethoven’s did (or Dvorak or Tchaikovsky for that matter). The textures often feel heavy handed to me, a little trying on my ears. However I realize that this is more the memory of someone in his mid-20s (and still discovering classical music) then it is my current ears. So as I saw Celia grab this set tonight I told myself that I would sit down with the scores and go through most of these pieces again. I’m curious to see how my perception of them has changed. I have the C minor Piano Quartet on right now, and I can already tell that I’m hearing things differently. And a big part of this project as a whole was rediscovering and revisiting music that I have. I think I have a weekend of Brahms ahead of me.

And regarding the picture above… I totally would have had coffee with him.

Day 134… 135… 136 … (or Day 133 continued)

Thursday, August 12th, 2010

After about four days of work, I have finally finished transferring all the music that is on my main computer and NOT represented on disc over to the server. It was a huge task… almost four thousand items, thirteen and a half days worth of music that is represented by only 35 GB of data. Since these are mostly MP3s (even though they are high quality MP3s), it is amazing how little space these tracks take up compared to the lossless files. However, I still think the decision to rip the CDs as lossless was the right way to go (as the project so far is getting close to 400 GB with only about 1/3 of the CDs ripped).

The biggest annoyance (and it really is a silly one) is that I had let this much material accumulate without properly getting it organized properly. When I’m ripping a few CDs in a night, it takes maybe an hour and I am able to organize things as they are ripped. But over the past few days I think I had close to 400 albums to organize, and it really became quite tedious. I would say ‘this won’t happen again’, but I’m going to wait a few months to really see if that is the case.

Looking forward to getting back to actual discs tomorrow…

Day 133. Tons ‘o Stuff…

Sunday, August 8th, 2010

Tonight I am taking a break from CD ripping. Instead, I am preparing to do something that I haven’t done in a couple of years now… wipe out the iTunes library on my main computer.

I used to wipe the library out every six months or so. It was a way to keep new music coming on and rotating off anything that I had gotten a little stuck on. But this slowed down a couple years ago when I joined eMusic. Before eMusic, everything on my computer was represented with an actual physical disc in my house. I never got into the torrent / file sharing thing, so I was never in a situation where there were gigabytes of music on my computer that I didn’t actually have. So a couple times a year, I would just erase everything and have a good time going through the CD shelf and finding music I hadn’t heard for some time. But with months and months of purchases on the computer that I hadn’t burned to disc, a simple ‘select-all – delete’ wasn’t really possible. So I have spent a good chunk of time tonight going through my main computer’s iTunes library, and copying files over to DAC. 10 gigs down, about another 30 to go.

One thing I noticed quite quickly while doing this is how much classical I have purchased over the past two years. Especially early music from the ars nova and renaissance. Luckily eMusic sells pretty high quality VBR mp3s, but as I look at what I have been purchasing, I really wish they had a lossless option. At the same time, this is also music that has been very difficult to find otherwise. Even online, getting outside the late baroque / classical / romantic repertoire is tricky to find. Especially at a reasonable price. I think it is great that Harmonia Mundi and a number of other specialty labels have found their way to online distribution. My guess is the amount of physical inventory that they press now is starting to dwindle, but hopefully they find life in what is looking like this next arena of distribution.

The other category that is well represented is folk and blues. So lots of Peter, Paul and Mary tonight, some Richie Havens and some discs from Aarhoolie are finding there way onto the server finally.

The biggest downside is categorizing. This is a massive amount of music that I am suddenly throwing on in one night. It really locks the computer down during the initial import (on the one hand), then afterwards I have to go through and trick iTunes into putting this music into the right place on the server. I discovered that using the ‘Album Artist’ field in the tracks info boxes, that this will control what folder something shows up in. Since Subsonic sorts according to directories, this has been my main way of organizing things (while also making sensible playlists within iTunes for home streaming). The way tracks are labelled is not standardized at all, especially with classical music. Sometimes the composers name won’t appear anywhere relevant. If I had my way, I would ask the organizing powers that be to give me the job of controlling ‘cddb’, correcting the decades worth of poor organization and wrong information. If someone knows how this job can be given to me, please drop me a line.

Day 127. Nunes, Messaien, Lutoslawski, Pérotin and Leonin.

Friday, July 23rd, 2010

It has been a busy week, with the evenings filled with lots of odd and ends to take care of. Projects at work and some personal projects (including a website revamp and a piece I have ben trying to finish) have held my attention a bit in the evenings, and I will sometimes pop in a disc to rip, then forget about it.

One thing that is starting to slow the DAC project down is the old laptop that I am using to host and rip everything. It’s getting a little long in the tooth, and it is starting to show and it has had to work more this past year then it probably did over the three or four years before this one put together! It is an old PowerBook G4 (with the lid / monitor cracked off of it from a nasty fall at a cafe). It’s been a little 1 GHz work horse though… before the DAC project began, it served as a little web server for me and a few friends (which was fairly low traffic), so to suddenly be using its hard drive to rip CDs on a nightly basis (the original hard drive at that!) plus the CD drive has probably started to tax it some. Plus, it streams music to me quite a but now. There are over 1,000 CDs that the computer has ripped and now manages between iTunes here at home and Subsonic when I’m away. Over 300 GB of files are on the connected hard drive. In other words, for a machine that is 7 years old, it has done quite a bit since all this started in January. And the thing that is failing? I’m not positive, but I think something with the latest version of iTunes on it is weirding it out… I put CDs in, CDDB finds it, then iTunes kind of just drops it. I have to open Disc Utility to force an eject of the disc, then I pop it back in and it shows up just fine. This takes some time and attention where initially the ripping of CDs was rather mindless. The other thing that has slowed things down was the replacement of a 250 GB Firewire drive with a 1TB USB drive. The old computer only has USB 1, so things are just slower now.

Over the course of a few nights this week I finally finished up the Kronos Quartet box set, and also the last couple discs of the Dvorak symphonies set that Mira chose earlier in the week.

This afternoon Mira broke from her usual pattern and went for ‘pretty box!’ as she put it. She brought a CD of Emmanuel Nunes upstairs to me this afternoon and wanted to show me the ‘pretty box!’ and ‘hear pretty box music!’. After about two minutes of confusion, Celia finally turned to me and said ‘Daddy, this music is scary… do you LIKE this???’. The piece (‘Quodlibet’) for 6 percussionist, 28 instruments AND orchestra (weren’t the 28 instruments already an orchestra?) was a piece I looked at quite a bit while working on a doctoral exam topic on sound and space. Yes, I can see why to a five year old the music would seem scary, and it isn’t something I would normally put on for the girls. So I turned it off and and put on some Kylie Minogue (and there was much rejoicing).

After dinner, I went back downstairs with the girls to pick out more discs and Mira grabbed some Lutoslawski (which probably would have also bee scary) and Celia grabbed a stack of five innocent looking purple jewel cases that contained four discs of Messiaen’s organ music and a disc of music by Perotin and Leonin. Celia and I listened to the music from the early days of the Notre Dame Cathedral while reading about Lilly’s Purple Plastic Purse, and she loved it. I did too. I do find some enjoyment (and quite a bit of mental stimulation) from Nunes, Messiaen and Lutoslawski. And Lutoslawski and Messiaen have been highly influential in my work though… and I have lots more music from them to rip so I’ll have more opportunity to talk about both of them. But give me music from almost 1000 years ago, and my mind gets working on musical ideas for things that I am working on today, and I loved watching Celia relax into a book while listening to this music. It is nothing like what she encounters in her day to day life really, but it shows how something that has survived almost a millennium can still reach out to a five year old today.

Day 77. Isaac Stern.

Saturday, April 24th, 2010

Started to dig into the historical recordings I rediscovered a few weeks back finally, starting with the 6 discs of early concerto recordings with Isaac Stern on Columbia. Brahms, Tchaikovsky, Beethoven (the standards) with Bernstein, Sibelius and Ravel’s ‘Tzigane’ thrown in as well. These are all older mono recordings, and the violin tends to stand out quite a bit from the rest of the orchestra. Usually this would bother me, but it is part of the recording style from the period. And in this case it works out nicely… I have good recordings of all these pieces, but none of them are from a young Isaac Stern. The tone of his violin is a bit gritty, but it is hard to tell how much of that is the recording technology of the day or if it is extra sticky rosin on his bow. The Sibelius and the Ravel recordings stand out for me. ‘Tzigane’ is ALL about technique, and it is on brilliant display here. The piece feels fresh in this recording (not quite a show piece yet… still a very challenging work for the performer). And the Sibelius (with some of its darker tones, especially in the third movement) sounds great on the older recording. Plus – violinists just don’t play like this anymore… lots of fun.

In other news about the project, I just filled up the 250 GB drive that I started off with, and picked up a new TB drive to become the main drive. It was yesterday, when both drive were plugged in and I started to make the new backup (the backup is now the main drive) that I noticed something a little startling. The data transfer was SSSSSSSLLLLLOOOWWWW. Really slow. Just remembered that the old PowerBook must have USB 1 ports, and compared to the old Firewire drive data transfer is much worse. I plugged the two drives into my current laptop (with USB 2) for the initial transfer. This took about two hours (compared to the 7 days I estimate the PowerBook would have taken). I imagine these are the two drives I will end up with for some time now, and that the next component to go will be the old PowerBook. I’m actually amazed the thing is still ticking (going on 8 years now with a broken monitor and the original 1 GB of RAM in it!).

Day 74. Pink Floyd.

Sunday, April 18th, 2010

So – quite a week. Hopefully can get BACK into the DAC routine, and also starting a new exercise one. Spring is here, and the dark months are behind us for now (in terms of both actual sunlight and some of Tamiko’s professional drama that seems to finally be wrapping up).

There is also darkness ahead here in Tacoma though… Roger Waters will be bringing ‘The Wall’ here this fall, so I went and dug out a few Pink Floyd discs for tonight. And being a teenager from Roseville in the 90s, I certainly remember hearing LOTS of Pink Floyd. Whole album sides on 93 Rock, my friend Josh singing out ‘Mother do you think they’re going…. to break… my balls???’, laser shows at the Crest and I could keep going. But – I think my biggest Pink Floyd memory / association comes through Tamiko. And not because Tamiko was the biggest Pink Floyd fan… her boyfriend Matt (who she dated before me) was. Matt and I had our lockers next to each other. Both the same year at Roseville High, and met during band camp the week before school started. He started dating Tamiko a few weeks into our freshman year, and I started dating a good friend of his around the same time. Matt was HEAVILY into Pink Floyd. Matt and Tamiko broke up during a band trip at the end of our freshman year, my breakup a few weeks after that, and it was Tamiko and I that were there for each other. Though I haven’t talked to Matt for a long time, we actually remained friends through high school (as did he and Tamiko to an extent).

So – 20 years after all this, almost half of that working in a record store where some form of Pink Floyd would come up every few weeks, what do I think about when I hear Pink Floyd? I still think about Matt. The laser shows, ‘Meddle’ blasting in the back room of Tower and classic album sides are certainly there, but they have faded with time as well… but I still think about this 14 year old kid who’s locker was next to mine, and who’s girlfriend I started dating (and eventually married) a few weeks after they broke up.

More on Subsonic.

Thursday, April 1st, 2010

So – for the time being Subsonic appears to be the way to go. And to get it to organize the way I want it to, I figured out that in iTunes, setting the ‘Album Artist’ field places items into folders with that name. So, setting it to a composers name (for instance) will place all works labeled that way in a folder, then a folder inside that will have the albums name. I got through the composers tonight… tomorrow I will label other genres in the ways I want categorized. But streaming today (even with a couple people streaming at a time) worked like a charm!

Simplify Media is dead… Subsonic!

Wednesday, March 31st, 2010

I spent most of my time tonight ripping more Bach cantatas, and looking for replacements for SimplifyMedia. I think I have found something promising called Subsonic:

http://www.subsonic.org/pages/index.jsp

So far – it does a good job of transcoding the Apple Lossless down to a 256k mp3 stream, and thanks to Chris, I know a couple of us can listen to different things at the same time. Still some organizational issues (it uses the folders iTunes creates – not playlists) that I need to work out… but there is hope again for remote access!!!

Back-ups, and consolidating libraries.

Saturday, January 30th, 2010

Having a good back-up of everything is a pretty important part of the project. I finally picked up a 1 TB hard drive today and started to back up the library, but discovered a couple of problems that I had to solve first.

A few days ago, I started to also put mp3 downloads from eMusic onto the main computer (which is how I have been buying my music for the past year and a half). I had two drives hooked up (a 80 GB and a 250GB drive) and I decided to put the mp3s onto the smaller drive since I wasn’t sure when I would be getting the larger drive that the project will be needing. So when I got the new drive today, I realized that I should just put the whole library in one place (the 250 GB drive). Of course – I then realized that moving all the mp3s would mess up the links in the iTunes library! Luckily iTunes has a way to deal with this.

There is a function called ‘Consolidate Library’ that will copy all your files to a central location. Worked like a charm, and I had the new drive plugged in pretty quick. Then I had to decide how to deal with the backups themselves. TimeMachine (in OS X 10.5 and later) is good for making an archived clone of your system, but I am really only concerned about backing up the soundfiles. So I checkout out Carbon Copy Cloner first.

The clone went quick. Too quick. When I looked at the back-up, there was a problem with permissions and most of the data was not backed up. A couple Google searches didn’t really reveal anything so I thought about using rsync (which I use for a couple of coding projects I maintain). The nice thing about rsync is that only changed files are backed up, so backups should go faster. I decided to use a GUI program called arSync (with a pirate icon) to run things and it is working well so far. But the initial backup is over 40 GBs, and rsync needs to also keep a log of what is backed up (as well as checksums and the last time a file is opened / altered).

The initial backup is taking a loooooong time. But after the first, things should go faster. But until it is done, I’m probably not going to rip any discs…